If you want to add a stylized look you should select your. This opens up LUMETRI COLOR on the right side of the program which lets you change all kinds of settings for color grading your videos. Simply select the clip or adjustment layer in your timeline that you want to add your look to and click on the COLOR TAB in the upper menu. In Adobe Premiere Pro it's even easier to apply a LUT to your footage. For example: If your image is too contrasty, lower the Mix to 70% to decrease the LUT intensity. There you can select your LUT and change the color space as well as the Mix which is basically the intensity of your LUT.
You can download my FREE ADJUSTMENT LAYERS for Final Cut Pro X.Īfter applying the effect you can find the Custom LUT tab within the Video Inspector as shown above. FCPX does not include native adjustment layers but don't worry. We'll see.If you want to use LUTs in Final Cut Pro you need to search for CUSTOM LUT within the Effects tab and drag it over onto your clip or adjustment layer. I'll post an update video after I've had the chance to use the LUTs on people. I'm teaching a 5-day Interview Lighting workshop in Maine next month that will give me some sample footage of human faces indoors. These LUTs are designed to be applied to S-CINETONE footage in post with Resolve, Premiere, Final Cut Pro, and any other NLE that allows you to import custom LUTs. Just to be clear, the LUTs are NOT monitor LUTs for the camera. They are compatible with S-CINETONE footage that has been shot with any Sony camera that has an S-CINETONE shooting mode.
My LUTs are called "S-CINETONE BOOSTERS" because they make it faster and easier for anyone (regardless of how inexperienced they are at color grading) to quickly improve their S-CINETONE footage. I've created two custom LUTs to to quickly help me get better-looking images from my Sony FX6 - when I do NOT want to shoot with S-LOG3 and I'm making them available free to anyone who wants to use them.